Gallery Photographers
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Arboretum #4
Bruno’s photography is all about light – what it reveals, what is
hidden and the interplay between them. He says in his Artist
Statement that B&W photography is about light and imagination.
This photograph, Arboretum #4, is a beautiful realization of that
statement. The light seems to dance across the image, touching the
grasses revealing their delicacy. The composition pulls our
attention to the brightest area in the foreground where we can spend
time noticing each of the finest strands of grass and the plumes of
seeds that seem to be suspended in dark space. Each element is
distinct and calls out for undivided attention.
Twin Reflections
Maria completes her tenure as a
Visiting Artist this month with another excellent exhibit she has
titled "Little Beauties in Nature". In these photos
she focuses not on flowers but small ducklings that she sees close to
her home in the photo Twin Reflections. Symmetry is
effectively used as the ducks are mirrored in the water below.
The dramatic use of black backgrounds, a theme that Marie
effectively uses, isolates the birds and makes them pop out of the
frame (which by the way is beautiful as well). The strong
colors of the birds, with a diminished vibrancy in the reflections
and the hint of the water’s color make this composition. The
smaller framing of this work contributes to the title of Twin
Reflections.
Her 5th Avenue I stood looking at this photo for a quite a
while. It’s just so haunting! Megan enjoys making photographs of
subjects she happens upon that invoke some sort of feeling and she
has done so with this “gritty reality.” Fifth Avenue is a major
thoroughfare in the borough of Manhattan in New York City. It is
considered one of the most expensive streets in the world and yet
this huddled up woman next to a garbage can challenges that
assessment directly. The composition is perfect with the lost and
forgotten woman large and demanding attention in the foreground as
she views the affluent avenue before her.
Contradictorily the young shoppers and the hustle-bustle of
city life ignore her presence. This is a very powerful piece and
says so much about who we are. Keep an eye out for Megan’s book, 52 Magic
Mondays where she includes this photograph as part of her
52-week photographic project in New York City.
In her artist’s statement, Elena
discusses how she enjoys photographing withered flowers, trees and
things that are old, discarded and forgotten. One of Vincent
Van Gogh’s most beautiful and lesser known works is not depicting
vases of fresh sunflowers (which are beautiful paintings) but dead
sun flowers. They are withered and desiccated but still beautiful.
The original owner of this paining (now at the Kroller-Muller Museum
in the Netherlands) had this photo displayed behind her casket at
her funeral, she loved it so much.
There is
actually a “personality” of this sunflower, captured in this
beautiful photograph. It displays a The composition
is beautiful, along with the colors which still reflect the
sunflower’s previous glory as a fresh flower.
Windy Afternoon A part of the mystery of photographs is their
ability to set a story unfolding in our minds. We can begin to
wonder. The woman is heading into the wind, holding her
hat. Her long top garment (looking almost like a cape) blowing back
in the wind. Motion and movement are clearly one of the themes
in this image. She is walking out to the frame, moving
deeper into the woods, where all the details have vanished into the
dark. She almost battles the wind to get to her destination, but
what is it? The structure on the right also provides
another mystery…it is only discovered as you observe the image but
it counterbalances the right side of the photo. Rick uses tones effectively in this image,
shades of gray showing a firm hand on the fundamentals of
photography. All of these components make this work challenge the
viewer to understand the “back story”, the “who”, “what”, “where”
and “why”…..questions that make this a photo with a strong
impact on the viewer.
Steam Boiler Worker
Pat has displayed a beautiful series of Black and White photos,
focusing on people. Steam Boiler Worker is a wonderful
“homage” to the work of Lewis Hine; Powerhouse Mechanic Working on a
Steam Pump.
In Hine’s photo he shows a working- class American in an industrial
setting. The man is hunched over, surrounded by the machinery
that defines his job. But while constrained by the machinery
the man is straining against it, muscles taunt with a determined
look—an iconic representation of masculinity.
Pat has turned the table on this iconic image, replacing the man
with a woman in his photo Steam Boiler Worker. The model has
the same determined look, overalls displaying her powerful arms and
shoulders.
The woman looks out from the photo, making eye contact with you.
She is holding a large wrench, looking like she took a short break
from her work to pose for this photo.
The lighting, so critical for Black and White photographs, is
beautifully rendered. The heavy equipment in the background is only
minimally lit, so that it does not take over the photo but is still
visible to set the environment, that she is working in.
It is wonderful to see how Pat has translated a classic image to our
modern times, while keeping the connection with Hine’s classic
photo. A frequent exhibitor at Image
City, Deb displays excellent monochromatic and infrared photographs.
This month is no exception. She has four IR photos from a getaway in
Cooperstown, NY a year ago. The landscape looks particularly
brilliant in the afternoon sun following a downpour and Deb’s photos
are a view of the luminosity of landscapes. Using her IR camera, the
greens become sparking whites and the blues are rendered in lush
blacks. Almost Paradise is simply gorgeous. The photo reads
perfectly from left to right along a coastline of a lake or river
and one can picture oneself kayaking through the scene. A large
block of trees stops the view on the right, but that assists the
viewer to stay with the scene that Deb envisioned, and the eye
returns on a parallel line of reflections to explore other areas
within the frame such as the reflection of the clouds with the lily
pads in the lower right-hand corner. Thank you, Deb, for sharing
what must have been a magnificent day.
Michael and
Marcia’s, The Eye of Ecotopia is a delightful rendering of
beautiful salad ingredients organized to appear as an eye. The
origins of “Ecotopia” are derived from a 1975 novel and is a
combination ‘eco’ and ‘utopia’ and posits the question of what
society might be like if technology would be used so that not only
human health and sanity are preserved, but also social and
ecological well-being, that is creating a balance between humans and
nature. Marcia and Michael extend this idea to an “organic collage”
creating a visualization from layers of homegrown vegetables,
flowers, leaves, seeds and items such as bark, broken pots and
stones. They order seeds from around the world early in the year and
plant them in their urban gardens. As plants mature, they consume
some of the food themselves and create an abundance of color,
pattern and form for their creations from the rest. At the end of
the season, they save seeds for the regenerative process that mimics
the ideas of Ecotopia. The Eye of Ecotopia is a beautiful
circular design of leaves, petals, seeds, and stems placed on wooden
slats and displayed as a pinwheel. As with a pinwheel, one’s eye
moves continuously in contemplation of the layers, pattern, colors
and movement that may be seen within the image. Thank you, Studio
Michaelino for a marvelous project of creating landscapes and
abstracts encompassing a world view of sustained life! | ||||||||||||||||||
Image City Photography Gallery ♦ 722 University Avenue ♦ Rochester, NY 14607 ♦ 585.271.2540 In the heart of ARTWalk in the Neighborhood of the Arts |